Saturday, April 9, 2011

iMad Scientist ArtRage iPad App Review

For the next few posts, I'll be reviewing my experiments with various iPad paint apps. I'd very much welcome comments, corrections & tips if you have experience with these apps, or any questions if you are looking into the subject yourself.

This image, "Ragemuffin", was created using ArtRage with the Nomad Brush.

Of all the paint apps I've tried, ArtRage is the one that offers the highest highs and lowest lows. There are so many mind-bogglingly rich features in this app, I want to love it with all my heart. Yet the actual user experience is frequently frustrating and even, yes, rage-provoking. Working with it is something like engaging in a relationship with a brilliant, passionate, infuriatingly lazy and sometimes abusive partner.

Ease of use
Let's get to the bad news first. This is NOT a snappy, carefree painting experience. There is a notorious lag effect while painting, which I found very annoying at times even though my painting style is naturally far from speedy. Some promising features are actually rendered nearly useless due to the painfully slow response. And while anyone can intuitively grasp the basics of mark-making here, it will take considerable time, study & experimentation to learn how to get the most of the many options, by which point you may be pulling your hair out with impatience. The speed issue is by far the
WORST FEATURE of this app. Admittedly I don't really know much about programming, but I get the strong feeling that the developers have bitten off more than they can chew here, at least given the current technology of the iPad. I do find that performance improves somewhat by saving super-frequently, closing & reopening the app regularly, & restarting the iPad once in a while. Also, if you're the kind of artist who uses only one layer to paint, you may achieve better results.

To the developers' credit, the in-app help menu is exceptionally thorough & useful, & their website offers a wealth of additional info, though the forums can be a bit confusing since they include comments on desktop versions of ArtRage.

Brushes
Now let the good news begin! ArtRage boasts a generous array of tools, and an almost mind-boggling number of luxuriously paint-like effects. Even with the lag, it's just FUN to explore mark-making with this app. Strokes can mimic markers, pastels, oils or watercolors, endlessly loaded or dry brushes, various amounts of thinner... the list of options & combinations is nearly endless, & there are fascinating effects to discover. For instance, a pen tool that I'd all but ignored at first turned out to have an elegant custom-taper option that mimics hand-inked lines better than any other iPad app I've tried. And I still haven't really scratched the surface of possibilities here. Without a doubt, the brushes are this app's BEST FEATURE.

Layers
And the riches continue with an infinite (!) number of layers & a truly impressive array of blending effects. The layer tools are nearly as versatile as the brushes, allowing visibility toggle, precise transparency settings, & even transparency locking, a hugely useful tool, unexpected in an iPad app. A drop menu offers still more options, including canvas & lighting settings that make for immense control over the finished look. The layer transform feature is the one major dud here, due to the dreaded lag, which makes it almost impossible to control with any finesse. Still, a very useful layer menu overall. I might even have picked layers as the best feature, if it weren't for the additional lag that each new layer seems to add.

Color
The color picker is handy: it remains visible at all times, unless you choose to hide it with a tap on the "pod", or if you are painting in that corner, when it automatically vanishes. There is a unique "metallic" setting, possible because of ArtRage's lighting effects. There is a separate eyedropper tool, & a "sampler" saves colors for future use.

Imports
ArtRage offers two styles of imports: one that opens a "pinned snapshot" for reference, & one that provides a separate layer that can be incorporated into the art. Both draw on saved photos & photo library. Resizing/transforming the layer import is a major exercise in frustration, so best to modify the size before importing.

Saves & Exports
Alas, here we come to another serious flaw. There is no autosave, though there is a save prompt that can be activated in settings. Also, in my experience, attempting to save a complex piece can result in a crash, sometimes with all unsaved work lost. In general, ArtRage seems more crash-prone than any other app I've tried. Saving super-frequently is a good idea for that reason, & helps with speed & reliability as well. The save menu does offer several convenient options, including save copy. Once saved, images can be exported from the gallery to Photo Album, Email or Print.

Gallery
The gallery itself is strangely lackluster, with images too small to look impressive for display, yet too large to see many choices at once. The mid-gray background makes for a generally dull effect.

Overall
Well, what can I say. This app aimed for greatness, & oh, how I wish it had succeeded. The astonishing wealth of features is a tantalizing golden dream that never quite became reality. Perhaps someday the developers will find a way to solve the lag & crashing issues. Maybe future versions of iPad will prove more compatible for my work. But at present, ArtRage seems more suitable for loose, alla-prima style paintings that take advantage of the many paint textures rather than works that demand many layers. I've done quite a bit of dabbling, & enjoyed myself thoroughly for a while each time, but whenever I tried to create a piece in my own style, the lag or crash issues worked up my own bout of art rage. A sad ending, at least for now.

You can find more iMad Scientist paintings & reviews here.

Wednesday, April 6, 2011

iMad Scientist: Brushes iPad App Review

For the next few posts, I'll be reviewing my experiments with various iPad paint apps. I'd very much welcome comments, corrections & tips if you have experience with these apps, or any questions if you are looking into the subject yourself.

This image, "Toy", was created using Brushes with the Nomad Brush.

Brushes was the first mobile paint app, & thus has some intriguing history & many ardent users. The famed iPhone New Yorker covers were created on the iPhone version of this app.

Ease of Use
Brushes is quite straightforward & intuitive to use. It's responsive & quick. The tools, layers, photo albums, color palette, color picker & fill tool all remain visible on the toolbar. The entire toolbar can be "disappeared" with a tap (which is good when you want a full view of the art or if you tend to bump into the bottom toolbar) or kept visible for speedier operation. There are also several double-tap shortcuts that can help speed things up. There is quite a thorough downloadable user's guide, as well as a few useful app settings that can customize the app to your preferences.

Brushes
Oddly enough for an app called Brushes, the brush selection is possibly the app's WORST FEATURE. There is only one brush tool, & though it does have 19 options for brush shape, there are no additional texture options. Brush spacing & size can be adjusted, & there are settings to vary size or opacity with speed, but the latter are on an all-or-nothing toggle, & there is no minimum radius feature, so stroke control is quite limited. There is no smudge or blend tool, so blending is a bit tedious. The app does remember separate settings for eraser & brush at least, unlike some.

Layers

There are only six layers available, but the app does offer five blending effects in addition to the opacity setting. (I used multiply & screen in creating the image here.) Other features include merge-down, clear, duplicate, & a handy flip tool. There is no visibility toggle, though you can get around that by setting the transparency to zero.

Color
The color palette conveniently includes both swatches & sliders, visible at the same time. That's the way I set up my color palette in Photoshop so it was nice to have that option here. It's also possible to save custom colors, which is very useful. The one odd annoyance with color is that changing colors in the palette sets the transparency back to 100%. It would be nice to be able to turn that feature off. Using the color picker does retain transparency, luckily, or blending would be an even bigger hassle!

Imports
Brushes allows importing from saved photos or library, & on importing immediately opens a transform option for positioning the photo.

Saves & Exports
It is here that Brushes really shines, boasting a unique feature that automatically saves & replays every stroke. It's quite a kick to watch the painting in progress & it can actually provide some interesting insights into your workflow. It's even possible to export these actions via e-mail & convert them to a movie via a free program called Brushes Viewer. (Alas, this is only available for Mac.) Nonetheless, I vote the replay function as the hands-down BEST FEATURE of this app. There is also a very handy option to send your image directly to Flickr, as well as the usual e-mail & add-to-photos options.

Gallery
The gallery shows large images "framed" in "wood" against a gallery wall. A skinch gimmicky for my taste, but not too obtrusive. Tapping on the thumbnail icon opens a handy overview of your images. The label includes the date, which is nice, but also the unnecessary & possibly-inaccurate description "Digital Finger Painting". There seems to be a bit of a glitch in the orientation function, since it doesn't respond to the iPad's orientation.

Overall
Honestly, the action-replay function is the highlight of Brushes for me & makes it great fun & even a bit addictive. Otherwise, the limitations of the brush selection would probably keep me away.

You can find more iMad Scientist paintings & reviews here.